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y.I think we are less vulnerable,adds Stuart Hoffman, chief economist at the Pittsburgh National Bank. When the national economy went down easy, Pittsburgh and other parts of the Midwest went down quite hard. ... In the decade of the '80s, we have made that transition to a more diversified economy.The diversification is more pronounced in some areas of the Midwest than in others. In and around Pittsburgh, it is dramatic.We are coming back,says Jake Haulk, senior economist with the Pittsburghbased Mellon Bank. During most of the decade, the Pittsburgh area's service sector mushroomed while its manufacturing base shrank.But in 1988 the area saw its first yearoveryear i
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 country.We are en route to a futuristic society in which education is totally antiquated, Ms. Alexander says. If we continue in this vein, we are not going to have any teachers to teach these people.The bad situation that teachers are in here makes me really wonder if I shouldn't forget about teaching altogether, says Jovita Castillo, a kindergarten teacher who spent her first year jumping from classroom to classroom to fill in for absent teachers. Now she is covering full time for a teacher who departed in January, leaving one more of a growing number of classes without a regular teacher.I don't know how the administrators of this district can say that kids are priority 1, Ms. Cas
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 ute, toward the infinite reaches of transcendental inquiry. And Clyfford Still's paintings represent the same kind of romantic awe and expansiveness we find in the paintings of the Hudson River School and in some of the landscapes of Benton and Wood.Overall, however, romanticism has been out of fashion since roughly 1958. It wasn't until the very late 1970s that some younger Americans and an impressive group of European painters turned the tables on two decades of strict formalism and tight technical control and reintroduced unrestrained impulse, emotional expansiveness, and a sense of alienation and yearning to the world of art.Almost overnight (or so it seemed), New York's galleri
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 at would give sustenance the kind of attention museums give to wars, airplanes, human tragedy, and the like.Spellbound by the spud, Hughes and his journalist wife, Meredith, followed the potato trail around the world (South America, China, Europe) and wrote The Great Potato Book (Macmillan) for children. They are the life of the party on scholarly panels with their passionate potato commentary and are founders of The Potato Museum.For several years the museum was a Capitol Hill fixture the Hugheses shared with the public out of their home. Today, most of it is on loan to museums in the United States and Canada.I know it's funny: 'potato' and 'museum.' Those two words together are hi
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